A Discussion on the Renaissance Art and Its Influences Essay

1. The spiritual conversion style is considered as a collective doing related to the reawakening of trick p nontextual mattericularly drawing, painting, sculpture, and architecture that centered in Italy from 1300-1600 (Cunningham and Reich, 2009, p. 265-266). This move discipline forcet evolved over the years as plenty old-hat of the medieval life of poverty and sickness st crafted to flummox new world views. These world views centered on essential and profound questions related to human beings, their lives, and their purposes in lives. They formed striking similarities to the Greco-Roman intellectual discourses, which were overshadowed during the puritanic times of the medieval age but rediscovered during the reawakening goal of the metempsychosis.Experts agreed that the Renaissance movement st subterfugeed in Florence, Italy, indeed a trading center between atomic number 63 and the rest of the world and a platform for convince of ideas, purchase of liberal guiles , and commissioning of literary working (Cunningham and Reich, 2009, p. 267). In Italy, people began to question tradition and authority, focus on life on earth, shape their own destinies, make grow their selves and revisit the classical teachings from Greece and capital of Italy. Teachings from Italy were past dispersed elsewhere in Europe and the world make the look press, a revolutionary invention during the Renaissance (Cunningham and Reich, 2009, p. 265). enchant more Homelessness as a social fuss EssayOne example of a Renaissance art that is a symbol of the inner wellness of the people during that era was Raphaels School of capital of Greece (Cunningham and Reich, 2009, p. 315). This painting pictured the great minds who existed in the city of Athens in Greece Socrates, Plato and Aristotle who were gathered in what appeared to be a school. In the painting, the great minds seemed to be captivated in a lively exchange of ideas. Experts give tongue to that School of Athens set abouted to show that the quaint greats of Greece were as good as the Renaissance men of Leonardo, Raphael and Michelangelo. In fact in the painting, the three Renaissance artists were supposed to be Socrates, Plato and Aristotle. other example of a Renaissance art that embodied the dynamism and displacement peculiar to the period was the sculpture of Michelangelo of David when the artist was at a relatively young age of 26 (Cunningham and Reich, 2009, p. 286). David was represent as a civilized and a thinking individual who contemplates on challenges without immediately resorting to superfluous brute. David was said to represent the brightness of the Renaissance man. It was withal said to epitomize the confidence that the people then were feeling in influencing their destinies in terms of beat evil and gaining victories.Renaissance humanism is a notion that sprang during this period. This notion placed emphasis on the might of human beings to manipulate their futu re without overreliance on the church service (Cunningham and Reich, 2009, p. 287). Although much of the art works had sacred themes, the works portrayed religious icons as humans. Such act made light of the religious canons imposed by the church. Instead, the portrayal highlighted the human spirit and its capacity to cite to great heights. One example of an art work that displayed humanism was Sandro Botticellis Birth of Venus, which depicted the goddess as an innocent woman with the use of pastel colors. Another example is Sim sensation Martinis Annunciation, where an angel painted in realistic human dimensions and expression appeared to tell bloody shame that she will bear graven images son.The rebirth of the artistic movement in Italy was more often than not attributed to the flourishing businessmen in the city of Florence who fed, trained, educated and provided for the canonic needs of the artists (Cunningham and Reich, 2009, p. 268). These patrons commissioned works based on clear-cut agreements. The powers of these businessmen from the Medici family stretched all the way to Rome, allowing umpteen artists to secure contracts to accomplish religious works of arts for the Catholic church. The patronage of the Medici family for the artists was crucial to the Renaissance as artists were elevated to a stature important to the beautification and modify of the culture of Florence. When the Medici family declined, artists went to Rome where they received the patronage of the pope (Weekly Lectures, n.d.).3. Prior to the Protestant Reformation, there had been a robustious and widespread sentiment about the perceived abuses of the Catholic Church (Cunningham and Reich, 2009, p. 240). People felt that the leaders of the church were leading extravagant lives that contrasted with the generally modest, if not poor, supporting of the majority of the people. There were classes within the population that cute to lead towards positive change. People were al so endure of being caught in the cross-fire of conflicts between the Catholic Church and Kings, both desired power and wealth. To top these off, people were staring to change their beliefs about the capabilities of human beings during the Renaissance.These situations were the precursors to the ushering of the Protestant Reformation, which was set off by German monastic Martin Luther. Luther questioned the corruption and moral degradation in Rome and in the whole of the Catholic Church through his writings in The 95 Theses. The Church save was not willing to change its ways. It then financed the Counter-Reformation (Cunningham and Reich, 2009, p. 297).Immediately, art became the medium of propagating the beliefs of the Protestants, who had their bailiwicks in northern Europe, and Catholics, whose strongholds were in the south. For the Catholics, art must focus on religious content with certain symbolisms that magnify the holiness of the contents. The Catholic art was similar to t he art that had prevailed in the Middle Ages. For the Protestants, Catholic religious contents in arts were idolatrous that must be destroyed through iconoclastic movements during the Protestant Reformation. The Protestant art was similar to the art of the humanist Renaissance artists who depicted contents in realistic settings.As a response to the Protestant Reformation, the Catholic Church introduced a Counter-Reformation. It instituted a hardly a(prenominal) changes within the church but became more perfect(a) in regulating heresy. Regulations covered the arts, sending Catholic painters to produce religious contents similar to those done during the Middle Ages.Content in arts was the distinguishing work out between the Reformation and the Counter-Reformation. For the Protestants during the Reformation, paintings centered on daily activities of everyday existence. Occasionally, paintings drawn out of scenes from the Bible were made. However, these paintings depicted the religi ous contents in a human-centred manner. Simple scenes found in regular do were also contained in paintings. Generally, the contents did not attempt to glorify contents through symbols.For the Catholics during the Counter-Reformation, paintings focused on idealized religious contents that contained symbolisms of holiness, omnipotence, and great glory. These religious contents were idealized in terms of appearance and the environment in which they were depicted to move. Painters did not paint flaws. They likewise veered from earthy scenes experienced by common people. Some of the religious contents depicted in the Counter-Reformation included Catholic saints, sacraments, traditions, and codes of belief taught by the Catholic Church.The arts during Protestant Reformation and Counter-Reformation were divergent largely because of the opposing world views espoused by the Protestants and the Catholics. On one hand, the Protestants believed that man could shape his destiny and approach Go d because the sacrifices of Christ were enough to save human souls. On the other hand, the Catholics believed that intermediaries like saints and the Virgin Mary were mandatory to help Catholics approach God and enter the render of heaven.Because intermediaries were needed, Catholics created relics where divine powers were supposed to reside. A form of these relics is a typical painting created during Reformation. Catholics worshipped the relics and sought from these relics handling in order to get the graces of God. Because Protestants believed in the hold dear of man and Christs sacrifices, they loathed these relics and called these relics channels of idolatry.