Thursday, November 14, 2019
Close Study Of Wilfred Owen :: essays research papers
~ Anthem For Doomed Youth What passing-bells for these who die as cattle? - Only the monstrous anger of the guns. Only the stuttering riflesââ¬â¢ rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayer nor bells; Nor any voice of mourning save the choirs, - The shrill demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of good-byes. The pallor of girlsââ¬â¢ brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds. Overview . Anthem - short musical composition, usually sung. . Stark anthesis is used to present a shocking lamentation against the barbarity of war. . This anthem voices the sounds of battle. . Death, violence and sacrifice are central subjects. . This poem is an extended metaphor (funeral). . Personification is used as the main technique. . Tonal shifts from anger/bitter ââ¬â elegiac mood. Structure . Sonnet, 14 lines, 2 stanzas, 2 quatrains, 1 sestet. . ABAB CDCD. . 10 ââ¬â beat iambic pedometer rhythm. . Rhetorical questions to start each stanza. . Ends in rhyming couplet. Themes . Doomed Youth ââ¬â negative, emotive. . Waste/pity ââ¬â loss of life, waste. . Funeral ââ¬â recurring image, extended metaphor. Language . Descriptive language. . Demonic force ââ¬â torture, consume. . Emphasis on the funeral. . Simile, metaphor, personification. . Juxtaposition ââ¬â sets the scene. Rhyme and Rhythm . Tightly controlled within sonnet structure. . Para-rhyme, used to heighten mournful tone. . Slower rhythmic beat in final quatrain. . Sound mirrors emotion. Symbolism and Imagery . Funeral symbols. . Religious connotations of faith, salvation. . Romanticised images of fallen soldiers. . Visual depiction of the mournerââ¬â¢s face. . Integrates the themes of doomed youth and funeral. . 1st stanza ââ¬â warfront. . 2nd stanza ââ¬â homefront. à à à à à Detailed Analysis Stanza 1 . ââ¬ËAnthemââ¬â¢ ââ¬â song for helpless young boys. . ââ¬ËDoomed Youthââ¬â¢ ââ¬â assonance. . Rhetorical questions to start both stanzaââ¬â¢s ââ¬ËWhat passing bells for these who die as cattle?ââ¬â¢ ââ¬ËWhat candles may be held to speed them all?ââ¬â¢ . ââ¬ËOnly the monstrousâ⬠¦Ã¢â¬â¢ ââ¬ËOnly the stutteringâ⬠¦Ã¢â¬â¢ ââ¬â repetition of the word ââ¬Ëonlyââ¬â¢ stresses the nature of their deaths. . ââ¬ËOnly the stuttering riflesââ¬â¢ rapid rattleââ¬â¢ ââ¬â personification, alliteration and onomatopoeia combine as methods to make war seen more brutal, violent and cruel. . ââ¬ËCan patter out their hasty orisonsââ¬â¢ ââ¬â sense of speed. ââ¬Ëorisonsââ¬â¢ ââ¬â prayer at funeral. . ââ¬ËNo mockeriesââ¬â¢ ââ¬â Christian rites seen as ââ¬Ëmockeriesââ¬â¢. . ââ¬ËNo prayers now for them; no prayers nor bells, Nor anyâ⬠¦Ã¢â¬â¢ ââ¬â negative connotations are stressed by the alliterative repeated use of ââ¬Ënoââ¬â¢ and ââ¬Ënorââ¬â¢.
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